French Post-Impressionist Painter and Printmaker, 1864-1901 Henri de Toulouse-Lautrec, a direct descendant of the counts of Toulouse, was born on Nov. 24, 1864, at Albi. His eccentric father lived in provincial luxury, hunting with falcons and collecting exotic weapons. Henri began to draw at an early age. He suffered a fall in 1878 and broke one femur; in 1879 he fell again and broke the other one. His legs did not heal properly; his torso developed normally, but his legs were permanently deformed. Encouraged by his first teachers, the animal painters Rene Princeteau and John Lewis Brown, Toulouse-Lautrec decided in 1882 to devote himself to painting, and that year he left for Paris. Enrolling at the Ecole des Beaux-Arts, he entered the studio of Fernand Cormon. In 1884 Toulouse-Lautrec settled in Montmartre, where he stayed from then on, except for short visits to Spain, where he admired the works of El Greco and Diego Velazquez; Belgium; and England, where he visited Oscar Wilde and James McNeill Whistler. At one point Toulouse-Lautrec lived near Edgar Degas, whom he valued above all other contemporary artists and by whom he was influenced. From 1887 his studio was on the Rue Caulaincourt next to the Goupil printshop, where he could see examples of the Japanese prints of which he was so fond. Toulouse-Lautrec habitually stayed out most of the night, frequenting the many entertainment spots about Montmartre, especially the Moulin Rouge cabaret, and he drank a great deal. His loose living caught up with him: he suffered a breakdown in 1899, and his mother had him committed to an asylum at Neuilly. He recovered and set to work again. He died on Sept. 9, 1901, at the family estate at Malrome.  Related Paintings of Henri Toulouse-Lautrec :. | Profile of a Woman | La Toilette | Jane Avril Dancing | La Loge | Alfred la Guigne |
Related Artists:
WITTE, Emanuel de
Dutch Baroque Era Painter, ca.1617-1691 Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family
Nathulal Gordhan
1897-1936
Albin Egger Lienz
Albin Egger-Lienz (29 January 1868 - 4 November 1926) was an Austrian painter. He was born in Dölsach-Stribach near Lienz, in what was the county of Tyrol. As an artist, he had a special preference for rustic genre and historical paintings; under the influence of Ferdinand Hodler, Egger-Lienz abstracted his formal language into monumental expressiveness. He trained first under his father (a church painter), later he studied at the Academy in Munich where he was influenced by Franz Defregger and French painter Jean-François Millet. In 1899 he moved to Vienna. During 1911 and 1912 he was professor at the Weimar School of Fine Arts and he served as war painter during World War I. In 1918, he turned down a professorship at the Vienna Academy and settled in South Tyrol. Egger-Lienz died on 4 November 1926 in St. Justina-Rentsch, Bolzano, Italy.